Interior Architecture + Design — Queens University of Charlotte
Interiors are a form of communication. I design for impact — using spatial hierarchy, material legibility, and art as an architectural layer to create spaces that guide behavior and shape memory.
Space planning, programming, and technical documentation across healthcare, commercial, and residential typologies.
Revit-native workflows from schematic through construction documents. Families, schedules, and coordinated model delivery.
Art selection, placement strategy, and installation coordination that elevates spatial narratives and client experience.
Interactive data visualizations, adjacency matrices, and portfolio graphics that communicate design intent with precision.
A dual-track pediatric primary care clinic translating the choreography of a historic train hall into a child-centered wayfinding experience; complete floor plan, RCP, sections, and D5 renderings.
→A phased feasibility and design study transforming Niche 213, a recessed alcove adjacent to the Performance Theatre at the Sarah Belk Gambrell Center, into a dedicated student exhibition gallery. Full existing-conditions analysis, three concept directions, a phased implementation plan, and Enscape axonometric renders.
→A corporate satellite office for Ralph Lauren grounded in American heritage: layered dark oak, brass, and Calacatta marble against a rich burgundy palette, with full BIM documentation in Revit and Enscape renderings.
→"Interiors are a form of communication. Just as a good story has structure and flow, a successful space carries identity, guides behavior, and shapes memory."
Reagan Hack is an Interior Architecture + Design student at Queens University of Charlotte (graduating Spring 2027), with a 4.0 GPA and a minor in Art History, Gallery & Museum Studies. A Dean's List honoree and Junior Fellows Scholar, Reagan serves as Co-Director of Marketing & Events for IADSA and is an IIDA Student Member.
Before design, Reagan built a career in public relations, marketing copywriting, and brand strategy; a foundation that now informs how she approaches spatial hierarchy, material legibility, and the clarity of the built environment. As Curator and Panel Moderator at Queens University, she spearheaded the transition of the Max Jackson Gallery into a student-centric exhibition space, and curated the spatial layouts for both the Voices of Democracy and Faculty Showcase exhibitions.
Fluent in Revit, Enscape, SketchUp, AutoCAD, hand drafting, Adobe InDesign, Photoshop, Illustrator, and Lightroom. Bilingual in English and Spanish. Previous experience in modeling and creative collaboration with Ursula Wiedmann Models informs a trained eye for composition, lighting, and spatial storytelling.
Design Philosophy
"A message only succeeds when it is clear. I apply that clarity to the built environment — using spatial hierarchy, material legibility, and lighting to reduce friction and tell a cohesive story."
Currently completing my degree in Interior Architecture and Design at Queens University of Charlotte, I bring a unique background in public relations and marketing to the design studio. My previous career taught me that a message only succeeds when it is clear; I now apply that clarity to the built environment, using spatial hierarchy, material legibility, and lighting to reduce friction and tell a cohesive story.
My work is also deeply informed by my minor in Art History and Museum Studies. I don't see art as an accessory, but as an integral architectural layer. Whether I'm designing a commercial interior, installing a university exhibition, or curating a private collection for a client, my focus remains the same: context. I design for impact, ensuring every decision, from the sightlines to the smallest detail, responds to human needs and creates a meaningful experience.
Available for Projects & Collaboration